In The Wind in the Willows Mole asks Rat if he is afraid in the presence of the ‘Piper at the Gates of Dawn’, and Rat replies: ‘Afraid! Of Him? Oh, never, never! And yet – and yet – I am afraid!’
Those who have grown up with Pan as a playmate would know exactly how Ratty felt at that precise moment. Back in those days it was possible for a young child to disappear into the woods with only a dog for company for hours on end without there being a hue and cry raised in its absence; and it was on those woodland rides and pathways – summer or winter – that I often encountered Pan.
The day would be peaceful and calm with a soft breeze whispering in the treetops, and the whole wood alive with bird calls. The woodland floor would be carpeted with bluebells in the spring; or summer sunlight filtering through the overhead canopy; crisp, dry leaves crackling underfoot in autumn; or the frozen quiet of a late winter afternoon as a fiery sun began to sink in the west, casting long shadows beneath the trees. Then, almost imperceptibly, there would be the sound of muffled footsteps following quickly in the undergrowth. Your pace quickened and so did that of your stalker. A suddenly flurry of old dried leaves would be picked up by a passing zephyr and flung into the air like a mini-whirlwind. All the hair on the back of the neck would be standing on end, heart thundering in the chest, breath almost impossible to take. Then you turned to confront this persistent intruder only to find … nothing. The wind died away, carrying with it the faintest sound of laughter and a voice in your head saying: ‘Gotcha!’
I knew this experience long before I was ever aware of who had been with me all those years ago, and he still catches me out from time to time. Out with the dogs in the woods or the lonely lane when there’s no one else about, Pan will still be up to his old tricks. The long track stretches away into the distance; sunlight filters through the trees on either side and suddenly there’s that sensation of someone coming up behind, ready to pounce. The old panic is there and you turn to confront … nothing. I’ve long since learned to laugh with him, but I can still hear that laughing voice saying: ‘Gotcha!’
For those who practise their paganism in the safety of numbers, or behind closed doors, then perhaps there is much to be feared from this most ancient of gods; but for those who have grown up with Pan for a playmate, the reaction is probably more in keeping with his gentle compassion. For Pan is all things to all who follow him – from the laughing pastoral deity to Pan Pangenetor, the cosmic All-Begetter. For all his complexity, however, once we’ve encountered Pan in his natural environment, our own response will probably be the same as that endearing little rodent from The Wind in the Willows:
‘Afraid! Of Him? Oh, never, never! And yet – and yet – I am afraid!’
Pagan Portals: PAN – Dark Lord of the Forest and Horned God of the Witches by Melusine Draco is published by Moon Books : ISBN978 1 78535 512 7 : 84 pages : UK£5.99/US$9.95
What people are saying about Pan:
Alan Riachardson, author of biographies of Dion Fortune (Priestess) and Bill Gray (The Old Sod): As you read this, Pan is opening his strange eyes with those lucid, rectangular pupils, which give him huge peripheral vision. He is observing you very quietly. Look up from the page, look around. He is here, now. Believe what I say! Also be aware that at this same moment there is an Inner Pan within your psyche who yearns to be aware of things from this wider perspective, who aches to take you toward the dark recesses of your mind, and the wild, tangled undergrowth of your unconscious. As you make your own antic path into the Wild Woods in search of the Great Pan, your nape hairs might prickle, you might see things at the new edges of your vision and strange realms might open up. If you have a frisson of fear – you are on the right path. Keep going. There is light and love there too, in abundance.
Melusine Draco’s book is filled with pleasing seeds and roots that she has collected from obscure, musty corners of the mythological and literary forest. Just brooding upon them ensures that they will be planted and grow in your consciousness, often in startling ways. And if you ever find yourself on hilltops in Wiltshire and see an elegantly ageing and once-handsome chappie chanting: ‘Io Pan, Io Pan, Io Pan, Pan Pan!’ then you’re probably hearing me putting to good use the practical evocations she gives.
Sarah Beth Watkins, author and publisher at Chronos Books: A fascinating and interesting read packed full of historical and mythological information and knowledge. Draco has researched her subject well, illuminating Pan as never before. His mystique and folklore jump off the page and make you yearn to find him in the forest! Draco is a well respected instructor in British Old Craft and she shares her wisdom in her many books on traditional witchcraft and magic. This latest book richly adds to her collection. A must read for those interested in learning more about the Horned God with practical exercises to enhance the reader’s consciousness along the way. Enter the woods – if you dare!
| Pan & Hecate FB page | FB |
Just finished this book and I highly recommend it. I’m a polytheist so I don’t believe in one overall horned god and I’m happy to say this book can appeal to all. I’ve studied Pan’s lore for many years yet there are pieces of lore in this book I have not seen and also insight that made me stop and think. Great book.
|Rose Pettit | Insights Into Books |
Pagan Portals – Pan: Dark Lord of the Forest and Horned God of the Witches by Melusine Draco introduces us to Pan and his many gifts. We are given a short ancient prayer or ritual to Pan to in order to ask for visions or gifts of prophecy or even theatrical criticism all of which fall under Pan’s areas of expertise. We are shown the history of Pan through Ancient Greece to his transformation by Christians into the devil and also his journey to Britain and our modern times. We are shown hymns to the god Pan. We are given a lot of information about Pan. I enjoyed the magical exercises at the end of each chapter designed to bring us more knowledge of Pan and his energies. I would recommend this book to anyone interested in the Pan, his history and magical practices that could be used to connect to him. I acknowledge that I received this book free of charge from NetGalley in exchange for my honest and unbiased review.
|M Orlando | Amazon |
A thoroughly enjoyable journey through Pan’s forest of legend and myth as expressed through art, literature, poetry and spiritual beliefs from ancient through to modern times. As always, Melusine Draco’s fine scholarship and insightful perspectives elevate what might have been a dry academic study to that of intriguing discovery. Also appreciated are the author’s inclusion of personal experiences connected with the Dark Lord. Highly recommended!
|Ionia Froment | Goodreads/NetGalley 4/5 stars|
From the start, I was impressed with this book. The author did a fantastic job of researching the material she used as sources, including many passages to prove the points she was making. I liked her informative writing style and thought this was a really interesting look at pan through the ages and different cultures. A lot of times, books like this can quickly become redundant and lose my interest, but this one didn’t. I enjoyed reading this and felt like I learned quite a bit from it by the end. If you are interested in the horned god, this is a book that you don’t want to miss.
|Mat Auryn | http://www.patheos.com/blogs/matauryn/2017/07/15/review-pan/ Melusine Draco’s Pan: Dark Lord of the Forest and Horned God of the Witches is a fantastic little introduction to one of the most beloved gods in paganism and witchcraft. Exploring Pan throughout history, mythology, literature, religion and the craft, Melusine traces Pan from classical era history to Christianity’s adoption of his image for that of their Devil. She showcases Pan in his role of the Horned God of the Witches in the writings and beliefs of Margaret Murray, Dion Fortune, Robert Cochrane, Nigel Jackson, Aleister Crowley, Gerald Gardner and more. Melusine also shares some of her personal gnosis and experiences with Pan in this book and she isn’t shy to delve into both Pan’s free-spirited and joyful side as well as his darker wild side.|
The book touches on Pan’s myths, his home of Arcadia and his companions such as nymphs and satyrs. The book is full of a wide variety of classical prayers, paeans and hymns to Pan, including some that I’ve never came across. One of the things I found the most interesting was her comparison of traditional prayers to Pan versus certain Catholic prayers of the Church. Melusine does a great job of providing accurate historical information on Pan without the dry and boring writing style of academia scholars. Falling just barely under 100 pages long this book can easily be read in one sitting and is perfect for those of you out there with limited time to read or that might just have a short attention span.
|Dawn Borries | PaganPages.org |
I found this book to be a fascinating read. The author opens with The Orphic Hymn to Pan. She talks about the Coven of the Scales, of which she is the Principal Tutor, they worship Aegocerus ‘the Goat-God’ and not Cernunnos. Ms. Draco puts forth the question, “How did the pre-Olympian Deity find his way into traditional witchcraft of Britain?” No other foreign Deity has been added to Traditional British Old Craft, so why Pan? Ms. Draco goes into some great depth on the history of Pan. She does this in a way that is very smooth and never a dry read. It is interesting to think that because in early times art was a way of teaching, the early church was able to pick Pan as a stand-in for their Devil. People didn’t know how to read, so the church used art to teach them what to fear and what to love. So, they had to change the landscape. You can’t fear a scruffy looking being playing the pipes surrounded by half-naked beauties in a lush green valley. The church changed his surroundings.
Ms. Draco writes about the resurgence of interest that lasted into the early 1920’s. Here she talks about some of the writings that many pagans grew up reading or having read to them by their parents. One of these stories is that of The Wind in the Willows By Kenneth Grahame. “The Piper at the Gates of Dawn” is very much the story of Pan appearing to the characters of the story. He looks like a protector of the wild places. The way this piece reads you feel a closeness to Pan that is calm and beautiful. I also learned all the different names of the different types of nymphs from this book about Pan. I find that the history of Pan, in all the different ways he was seen, to be fascinating. It becomes an attractive subject, in such a way that if you would let it, it could quickly become a rabbit hole for you to fall down.
Ms. Draco’s book Pan: Dark Lord of the Forest and Horned God of the Witches is both entertaining and educational for those Pagan’s seeking more knowledge of an old God, that seems older than even the Olympian Gods. I look forward to reading more of Ms. Draco’s books and in learning more about the ‘Goat-God’.
|Dawn Thomas (Reviewer) | NetGalley |
Rating: 5 out of 5 stars. The author begins with a detailed description of Pan and horned gods along with their association to Satan and the Devil. She also discusses the outlaw of Paganism and whether there was a continuation of it through modern times. She provides an image of Arcadia which was Pan’s home but was described as other places in mythology stories. If you are interested in Pan and his story, you will enjoy this book. Although it is a short book, it contains thorough research on the subject.